This week I’ve spent some time researching Samhain and Alfablot for the next adventure. The party is going to arrive at the farm at a bad time, and the wind they caused is definitely going to make things worse. The people of Yrlashof are observing the Alfablot, where the rules of hospitality are reversed, and there is to be a ghostly procession, a Wild Hunt, of dokkalfar (dark elves) along the road.
I needed draw up two principal characters for this adventure. First is Momma Yrla, who I drew a while back, but her story has changed significantly since then and the picture no longer reflects the character I want. So, I kept some basics of the drawing , but adjusted her face and outfit, to reflect her position as a former sea king – a ruling pirate. Now she maintains the farm. I recolored her with my new palette to better match the character. The new drawing makes here look a little bit older than I had planned, but I can live with it.
Second, I drew Momma’s former first-mate who still guards her family, Gurla, a sturdy water-witch. She is gruff and superstitious, coming from the eastern countries. This one actually looks a little younger than I had hoped to make it.
My next step is to draw an overhead map of the stead where the adventure will take place.
The regular schedule I have for the the Harrowlands games doesn’t leave a lot of time for dawdling or perfectionism: I run the game session on the weekend. Spend a portion of the next week getting the recording prepped and some recap illustrations done. Then the following week is prepping content for the next game.
The advantages of quickly moving through art pieces is that they are out of the way and I can move on to new ones, the disadvantage is that I have longer to be dissatisfied with them and know I have better ways to make them work. A couple of the pieces I made early on have been bothering me for a while, especially as I’m working them more into the future adventures. They just don’t fit with the narrative I want to tell.
I’ve been loathe to go back and work on things so far and have just been chalking the artwork to a learning experience and moving on, but with the break in the routine due to our trip to Emerald City Comic Con, I had a little bit more breathing room, and I just had to go back and work on a couple of redesigns.
In the quiet hours, often sitting on the floor of the hotel bathroom to avoid waking the family, I reworked the small hut of Arg, the mad baker, who lives off of Momma Yrla’s stead. The interior is going to be cluttered and crazy and the sparse and clean exterior I drew earlier just wasn’t going to mesh. I thought about just going back and throwing some boxes and carts in front of it, but I also wanted a large oven jutting out the side, not just a tiny chimney through the roof.
I still tried to work quickly and did not spend a lot of time on reference (not that it would have been easy to track down a lot of authentic pirate/Viking bakeries), but I feel like this is a stronger and much more interesting design that will fit in better with the characters and adventures.
I’m also using the revised color palettes to keep things just a little bit more consistent.
I have one more character I want to redesign (Momma Yrla) and a few other character designs in the works as I recover from ECCC and get ready for the next game in two weeks.
Last weekend, we ran the second session of the Harrowlands game with the kids and everyone had a blast. The party ran into swarms of frenzied bees on the road through Saksaland and had mixed results during the encounter. The audio is below.
Unfortunately, my production on the game has come to a halt, as I’ve been dealing with being sick. It’s not likely to pick up soon as I’m heading out to Seattle for Emerald City Comic Con in a few days.
Hopefully, I can find a little down time and get some work in during the convention. The coolest part is the boys will be coming up to meet me on Friday, so I get to show them around all day Saturday.
Last Saturday, we ran an hour-long session and completed our first quest, “Flight from the Bumblebees”. It was lots of fun and pretty wild, with lots of flailing of arms and sound-effects. I think there were a lot of learnings I took away from this one, which is pretty cool.
After 30 years of DMing, I am still learning with practically every session.
I have a lot of work to get the audio ready for consumption, as there are a lot of instances of us saying the kids’ names that I want to trim out. I’m also tempted to splice some audio in because there were a number of points where I couldn’t remember basic words like “reigns” and “wick”, so I simply flap my arms and call them “thing”.
Anyways, the audio is coming sometime this week, but I wanted to get a session recap illustration in. This one was a lot of fun and I knew what I wanted to draw right away. Each of the characters had at least one moment where they failed miserably at their task, and these were the moments everyone at the table loved the most.
First, I did a couple of really scribbly sketches to see how I wanted to lay it out. I don’t really thumbnail my artwork, instead I like draw noodles all over the page until one of them starts to look like something I think I can be happy with. Here, I didn’t do enough sketches of Thule accidentally throwing the bells out into the field and had to rework it a number of times on the tablet.
Since I don’t really know what horses look like, I just put blob-like shapes with legs and then googled some illustrated horses while I was doing the “red pencil” sketching. I use the red pencil in Clip Studio just as I use red leaded pencils in my sketchbook: where I try to transition from scribbles to cleaner lines.
Next comes the inking stage. Once I’m done inking I like to lay down some white flat colors behind the foreground shapes, and use that layer like a mask for coloring the illustration.
I am enjoying the refined color palette quite a bit and I don’t feel it’s too restrictive at all. We’ll see what I choose to do when I have something like magical effects, and see if I can be creative with the colors then.
I had a great time drawing Iona, Bursten, and Thule in their finest moments from the weekend. Even an unconscious Plunk, a bag full of bees, and two horse-ish creatures were lots of fun to quickly bust out, before I have to move on to the next upcoming session.
It’s been nearly two weeks since we made our first foray into the Harrowlands game. I figured it was finally time for me to write up my thoughts. There were some things that I liked and others that I didn’t, which is to be expected. More importantly, the boys had a really good time and are still talking about it nearly two weeks later. It helps that they’ve been watching me put together the audio clips and they’ve asked to listen to them over and over again.
In this session zero, we did the following:
1) Explained the core rules and basic moves of the game, including reviewing the character sheets and the various props (10 minutes)
2) Went over the guidelines for how we would play: be respectful, work together (no PC infighting), and no death. (5 minutes)
3) Player Character backstories (20 minutes)
4) Travel montage and local lore (10 minutes)
What Worked Well
Player Ownership. One thing that seemed to resonate was when in each backstory I had the player choose the villain from a couple of options. Additionally, I made them roll one of their moves to see how well they fared. The backstory was completely railroaded, where the outcome was written regardless of the rolls, but the dice revealed how they got there. The kids responded well to being able to choose, and it was kind of neat for me to be able to later illustrate their choices for the audio clips. (I’ll also be repurposing the illustrations for the Adventure Journals)
Fart Jokes. This one is pretty obvious, but once I threw in that Plunk was gassy and smelly, it really upped the engagement with the boys. They’re still talking it two weeks later: “Daddy, you know why I didn’t like Plunk?” “Why?” “Because he kept farting all the time.” I guess it really helps to know your audience.
Recording and Camera Setup. I definitely wanted to have a record of the session, so I recorded with OBS. I set my laptop on the game table in front of me, a webcam on the kitchen counter to get the whole table, and my Yeti microphone. I played around with some pretty basic overlays for the video, and was pleasantly surprised by the results we got playing on a folding table in the middle of the living room. This was the first time I used the Yeti to record audio for an entire table and I feel like it picked up all of the voices without being overly loud with the items on the table (the padded dice boxes definitely helped).
At one point, my oldest pug decided to trot around on the hardwood floors which was quite distracting. I may have to lock them up somewhere during the sessions, but they are pretty needy and would likely bark or whine.
I don’t know if I will put up the video or not, but really glad that I put in the effort to get it going. I believe it will really help me as a GM to hear and see where I tend to lose the thread and fall short, and where I have everyone involved and where I lose them.
What I Didn’t Expect
Playthings. I was so focused on making sure that the gameplay would be a visceral experience for the boys that I did not stop to think about how all of the stuff I was putting on the table would also serve as distractions and playthings. My wife and I quickly took away pencils, extra dice, and candy hearts so that the boys could focus and work on sitting still.
Basic Moves. Part of the distraction problem might have been that I started with some boring rules. I’d spent a lot of time going over the custom moves and they boys were already pretty well acquainted with what each did. However, I just kind of threw together the basic moves and it really showed while I was trying to explain each one quickly. The boys eyes glazed over pretty quickly and they focused on the toys in front of them.
Some of that was the approach. I could have just skipped it entirely and worked it in later. I’m planning to have mini-quests where I explain a related basic move in game play context, so Saturday’s session will have a good amount of focus on Discern Realities, with possible use of Defy Danger and Spout Lore.
Scheduling. We started the game nearly 40 minutes later than I wanted to as we were working on other projects. This added a little tension for me to try to figure out the timing of the session. In particular, once the backstories were done, we only had about 20-30 minutes to go and I struggled with rushing through the travel montage portion or spending more time on it. I ended up doing the latter, but it felt pretty awkward as I was distracted on if I would have time to get the actual gameplay quest in.
Overall, the experience was really positive and I’m sure as I learn to roll with the game. Next session will have some actual game play and player interaction, so it should be a much different experience.
This is the final audio clip for the first session of our Harrowlands game. We were coming up against time, so it ended up being a little bit more of a travel montage than I was expecting, but the boys had fun and that means we will start right into the action with the second session this weekend.
In the audio, the party travels with Plunk through Saksaland on their way to Kraghall Academy, braving skeletons and foul odors along the way.
Last weekend, we ran through the first session of the Harrowlands game with the boys. Here is the backstory for my wife’s character, Iona of the Willows, where her fetch travels deep into the earth to meet ghostly pirates in a ship graveyard and has a rough encounter with a dwarf before meeting Plunk and the other members of the party.
Last weekend, we ran through the first session of the Harrowlands game with the boys. Here is the backstory for Bursten Claw-Jaw where he meets an aurochs and a terrible beast… and maybe a couple of new friends.
On Saturday, we ran through the first session of the Harrowlands game with the boys and pretty much spent the entire time going over rules and the character backstories. I’ll post a post-mortem of the game soon, but here is a short audio clip of Thule Bonecrusher’s backstory.
On my lunch today, I played around with tinting some paper for another handout, the acceptance letter from Kraghall Academy. Each of the player characters get this letter in their backstories, but I will only do the handout on the last story, Iona’s. I want to have focus while everyone gets their backtory time to shine. Their first NPC, Plunk, will be the one to hand it to them.
I brewed myself a loverly cup of coffee and saved a touch out to make the stain. A light brush on the paper with a quick pat down from a cloth napkin to reduce rolling, and it was ready to dry.
Later in the afternoon, I threw it in the printer for the text and then trimmed the edges. Now it’s sitting in a box with a couple of aromatic tea bags and will be ready to unearth at game time.